Tuesday, April 24, 2012

Fox at 25, or TV Networks Don't Celebrate Themselves Like They Used To


I taped Fox's 25th anniversary special for a friend last weekend. After looking at it again, I have to wonder if Fox had trouble trying to fit 25 years of highlights into two hours...because it was worried it wouldn't have enough?

First off, anyone notice that Ryan Seacrest did not mention Fox's first star....Joan Rivers?
That's right. Before Fox even had primetime shows, it had the original Late Show, with Joan Rivers being the latest victim to the Hopeless War against Johnny Carson. Of course, this was before Arsenio Hall used a unique battle strategy....get the younger crowd instead of Johnny's usual audience.
Anyway, here's a clip of Joan in action, from the first show (thanks to YouTube, the online version of the Paley Center)



Then, we had Tracey Ullman. Plenty of clips from The Simpsons, who used to be shown in between her sketches. She even earned the network's first Emmys.
Any segment on her? Nope.
So, here's a clip. Notice Francesca's parents. They're just like Rachel Berry's parents....way before she was born.



Fox was way ahead of their time back then. Why not mention that, Seacrest?
To be fair, here's an early Simpsons sketch...



Lately, TV hasn't taken any time to look back at what it used to be. It wasn't like the 1970's, when the big three actually had big specials to celebrate their anniversaries. It started with NBC's 50th anniversary, where they unveiled a new logo....that they had to replace a few years later. Still, it was a chance to see classic TV from the 1950's, and their two hour event was more interesting that what Fox did. They did it again ten years later, including another new logo. CBS used a whole week to celebrate its 50th anniversary. It meant lots of room for song and dance like this....



Think Jon Hamm could do something like that if and when AMC celebrates its 30th anniversary in 2014? Well, I don't think it remembered its 25th anniversary in 2009. Still, he'd pull it off.
ABC used Laverne and Shirley to start its four-hour 25th anniversary special. It also had musical numbers, and cast reunions, too.
Anyway, those three networks had a big advantage: the 1950's. ABC could bring back clips from Disneyland and American Bandstand. CBS could bring back Lucy and Ed Murrow. NBC had Steve Allen and Sid Caesar..and that's for starters.
Fox probably wishes it had stuff that was just as good as the 1950s. It did, only it was the 1980s, and they skipped right through them. OK, we got 90210 and Cops, but they should have given Ullman her due.

Anyone see Comedy Central's big special celebrating its 20th anniversary?
Of course not. They didn't make one.
MTV did nothing for its 30th anniversary. It left the job to VH1 with a two-hour special. VH1 Classic, a digital channel few people get, had the good sense to at least air 12 hours of the best moments of the channel, including the first hour of the network, complete with original commercials. It would have made more sense to present more of that stuff, and send it some of it over to VH1.
It's as if we don't want to think about the past. How can we face our future grandchildren, and explain why Jersey Shore was ever produced, or Toddlers and Tiaras? How can we explain why networks would rather make spin-offs rather than original shows, while cable gave us Game of Thrones and Mad Men?

I'm just saying that if a network reaches an anniversary, it should make a major effort to look back at what it was, then try to convince us the best is yet to come. Sometimes that turns out to be true. While Comedy Central used to have Bill Maher and MST3K, it has Jon Stewart, Futurama (a TV show FOX conveniently forgot it had) and South Park. It should have had a special to mention that.

Did you know E! is about to reach its 25th anniversary? How about some tributes to Talk Soup? Maybe Greg Kinnear would come back? SyFy is about to reach 20 years old. OK, so it has those movies, but how about a special honoring that milestone, and tie that in with the final episode of Eureka, and new episodes of Warehouse 13? AT least have a shindig at Comic-Con.

Nostalgia sells, guys, especially when it's done well. The Original Three proved that in the 1970s, and Fox should have taken the same approach this year with an anniversary week of some kind.
Maybe the CW can do that when it reaches its 10th anniversary in 2016...as long as it also remembers its past as the WB and UPN.
And yes, that includes the Secret Diary of Desmond Pfeiffer. Good with the bad, guys. It's only fair. At least Fox did that with its special. We have to suffer through When Animals Attack to get to American Idol.

Monday, April 9, 2012

The Morgan Spurlock Tour Spends Easter in SF

Morgan Supurlock and fans

We've been waiting quite some time for Comic-Con IV: A Fan's Hope, the documentary that Morgan Spurlock and Joss Whedon produced. It's supposed to be an inside look at one of the biggest and most popular events anywhere. After seeing it at the Vogue in San Francisco on Easter night, the movie does deliver in some levels. I just wish it was longer. It's just under 90 minutes, but it needed another 15 or 20 minutes. Well, what he couldn't include in the film, it will be in the inevitable DVD. It'll probably be two discs, although three will do, especially the blu-ray version.

Comic-Con IV: A Fan's Hope

So how can you condense 140 thousand fans and four days of Comic-Con 2010 into under 90 minutes? First you have interviews with fans, a lot of them. That produces 700 hours of stuff. I was one of those fans, but I didn't make the cut. I may have had a chance if I was in costume, which I wasn't. I did dress as Dr. Who the 11th last year and will do so again. I just need a fez or something.

The film does have lots of interviews including Joss, Seth Green, Kevin Smith (who plays a part in one of the story lines), Grant Morrison, Kenneth Branagh, and more. It was also the first time I saw Paul Dini's face after knowing his name from the Batman animated series.

To get to the heart of Comic-Con, Spurlock chose several people who have stories that are connected with the event, We have two budding comic book artists who hope to get a foot in the door. We have a couple who met at Comic-Con 2009 who may be taking a big step if all goes well. It also depends on how the guy can get a very special ring for his girl. There's a collector who's there for only one thing: an action figure. There's Holly, a costume designer who hopes her entry in the Masquerade will turn some heads. There's Chuck Rozanski, owner of Mile High Comics, who has personally seen Comic-Con change from a comics-only convention into, as someone once said, Cannes for Nerds. Chuck's hoping to sell an extremely rare comic book that will keep him in business, in case sales aren't that great.
They are the best part of the film, especially Chuck and Holly's stories.

We also get to see Stan Lee, and Sylvester Stallone, Angelina Jolie and other movie stars that have basically taken over Comic-Con. We get comments about how the con is now a focus group for upcoming movies, which is true. It was the con that boosted Shaun of the Dead and Inglorious Basterds, but also exposed the weaknesses of films that use entire hotel buildings as billboards. Skyline, anyone? Hollywood taking over Comic-Con through product placement, and even "borrowing" a couple of restaurants to plug shows, would have been a great documentary all by itself. Again, if we had more on that, and contrast that with what Chuck and other comic book mavens think about how they're getting forgotten, it would have been a stronger film. It's certain this will be part of the DVD, and maybe something about how other people have become stars not exactly through major movies or TV, but through indie horror or internet shows (hey there, Felicia).

Spurlock takes questons after movie

The people at the Vogue were nice enough to let me sit in with both question and answer sessions with Spurlock. He's a cool guy, and had some interesting comments about movie distribution. He noted that while he was on late-night TV plugging The Greatest Movie Ever Sold (his take on product placement), less than 20 theaters showed his movie on its first day of release. So, he decided with the Comic-Con movie, it would be shown in a few theaters, but also on Amazon, iTunes and on demand. In fact, you can see this movie at home or on your iPad for seven bucks. People at the screening paid $10.50, but that's because they wanted to see it the way their ancestors did....in a big dark room with popcorn and movie trailers. Having Morgan be there to sign autographs and talk about it was a bonus that they, and I, were happy to enjoy. The theater was actually two-third full for both showings, probably because it was Easter weekend. They also got dinged by a less-than-favorable review by the San Francisco Chronicle.

So what was left out of the movie? He talked about a girl who made a living dressed in costume, and how complex her costumes were. There was also a Colombian man who wanted to own his own comic book company, and hoped exposure at Comic-Con would help. He got a booth there, but not a travel visa. His wife had to go on his place, although she was not as involved in the business as he was. Spurlock said he would have had to use voice over to tell the story, and he didn't want to do that because the movie is without narration. He did say their company is still viable, and it's switching to digital comics. In fact, he said that digital comics could be the wave of the future.
He also talked about how that infamous stabbing during the Resident Evil panel prevented them from getting a very special romantic moment that was supposed to be one of the big story lines in the movie.

Spurlock also predicted that Comic-Con may be longer, maybe five or six days. That'll be great news to the hotel industry, that's for sure. I expect Petco Park will be the new Hall H, but that's just me.

Spurlock will continue his movie tour to the East Coast this week. His website reveals where he'll be, and how people can host a screening of the movie in their hometown. That should include San Diego because the movie is only available OnDemand at Cox Cable, but it should be in theaters. Heck, it should be at Comic-Con!

Thursday, April 5, 2012

Discovering the Secret in Berkeley

It's been a long time since we had a new post here, since Whedonopolis gets priority for all my Whedon-verse posts. There are times, though, where I get to do such stories that someone else at that site has covered.

Nearly three weeks ago, I got to see the long-buried (thanks to MGM's financial problems) movie, The Cabin in the Woods, made by the words and thoughts of Joss Whedon and Drew Goddard--and Goddard directing. My take on it is still here, with the post-picture discussion.

Dread-Central was part of a new round of screenings over the past two weeks, including one this past Wednesday at the Shattuck Cinema in Berkeley.



While we couldn't bring cameras because Lionsgate said so, this was a much more active crowd compared to the one in Anaheim. It really helped when before the movie, Drew said the crowd should be as rowdy as it wants to be as the story unfolds. As my story said at the Anaheim screening, this movie takes a familiar horror story than sends it to places you'd never expect. That goes from what the college students do to where they wind up. I can only wonder what will happen on April 14th, when the "secret" is finally revealed and we can all talk about it. I can just hear the reaction of people being told who exactly is "behind the curtain" as far as the plot is concerned.
Again, no names. April 13th. This movie..your only hope to avoid giving money to a movie that is an even bigger horror, even if it does include Larry David as a nun.

So, what was the place like?

The Shattuck Cinema used to be a department store, but they renovated it for theaters in a section of town where one can choose from at least 15 movies in a three-block radius..and not under the same roof. The theaters themselves are uniquely decorated. They may be small but they are very nice places to check out a movie. My theater had a King Tut feel to it

I went there about 2:30, and found two people in line. An hour later, it was up to ten, and I decided to join in. The chairs are leather with very fancy cup holders. I was n the balcony where they had couches. It was like being at home, but with a very big screen and a stage. The place was filled about ten minutes after the screening was supposed to start. In my section there were a couple of kids that would be too young to see this movie. When you see it for yourself, you'll know why.

Drew and Amy Acker were introduced before the movie. Amy looked great but had cut her hair. That's too bad, since she looked great on Grimm recently with long hair.
Since this was my second time seeing it, I looked for some of the key moments that made this movie special, including how many scenes would have looked better in 3-D (I'd say maybe four or five).

Afterwards, Drew looked pleased abut how things went, especially about how people cheered for a certain item that Starbucks would be reluctant to sell. He also admitted that there are two characters that may remind viewers of Joss and Drew, and they're easy to spot. Again, no names. Go see the movie and you'll see what it is. I'm not the Hollywood Reporter.
He also explained how he tried to get a job being part of John Carpenter's movie, Vampires, in New Mexico. He didn't make it, but wound up working for a TV movie called Scattering Dad with Olympia Dukakis. Apparently it, too, had to wait a couple of years to be shown. Anyway, both movies were being filmed in the same area, which game Drew a chance to visit the set, and eventually meet Carpenter.

Then the discussion went to the chances of a sequel, and what Drew and Joss would have wanted to add to the movie. He also briefly discussed the chances of another Cloverfield movie. He said it depends on getting the right story.

Yes, Amy were there, too. She, too, was excited about working about the movie, and with Richard Jenkins, who...does something. You'll see.

The screening series will be ending soon, then everyone else will see The Cabin in the Woods. You'll find out why in every preview screening, there's one guy who appreciates this movie after the recent string of incredibly disappointing flicks. Seems Silent House is often mentioned.

Also, it gave me a chance to really get to use the BART system. I only used it to get from Fremont to San Francisco..and that was 30 years ago. Heading to Berkeley is good, too, and I may do that again soon. For now, though, I have another special movie screening in San Francisco this weekend. It's a movie I could see on iTunes, but meeting Morgan Spurlock after his Comic-Con movie is something I hope to do.

Tuesday, October 25, 2011

Much Ado About Avengers In The Woods..with Buffys

Being an overnight guy for a Sacramento radio station, I hear a lot about how the Mayans are predicting the end of the world next year because their calendar runs out, or how a comet from millions of miles away somehow set off Occupy Wall Street.

Well, I say 2012 is the Year of the Whedoncalypse, where his mighty hand, and maybe his ears, nose and throat, will shove the Earth into a new state of consciousness, based on the belief that spending millions of dollars on a 3-D movie that blasphemes The Three Musketeers is an embarrassment to our species.

This is really based on that surprise announcement Sunday night that Joss made his version of Much Ado About Nothing at his house with a hefty amount of Whedonverse alumni while no one was looking. We've been too keyed up about The Avengers we didn't know he had this idea in the back of his mind. What's more, he did this on his vacation and his wife was OK with it. That's because it's the beginning of Bellwether Studios, a micro-studio where new technologies and getting around typical studio suits can be the new road to good movies.

Amy Acker and Alexis Denisof as Benedick and Beatrice is a great selling point right there. Wesley and Fred/Illyria together again. Come to think of it, could Illyria, a God to a God, be intrigued by playing Beatrice? Sure, once she realizes blasting demons who sneaked into the play can be dealt with at intermission. I think Amy would add a dash of Illyria playing this role. while Alexis added some Wesley with a trace of the goofy news anchor he played in How I Met Your Mother.

Add Nathan Fillion as Dogberry, Sean Maher as Don John, Fran Kranz as Claudio, Clark Gregg (our favorite SHIELD agent) and Reed Diamond of Dollhouse, and you've got something. The whole press release is here, and it looks like we'll have to wait until March to see it at a film festival near you. Sadly, there isn't one near me, but maybe someone could start one to get this movie to Sacramento.

You should also thank Dr. Horrible for this, too. Making that internet musical for a pittance for the net, leading to massive DVD sales and applause everywhere, showed that you don't need the big studios to get a movie made, or even the usual indie guys like IFC Films. Just do it yourself, get actors who want to make movies for the fun of it and to sharpen their skills, and off you go. Heck, using cable companies and streaming media aside from Netflix can solve distribution problems. Kevin Smith has proven that with Red State.

The best benefit, of course, is seeing our favorite actors from the Whedonverse more often. Wouldn't you like to see Sean Maher despite the fact The Playboy Club is out of business, or Fran after the Dollhouse is closed, or Amy or Nathan? Course ya do.

Now a flood of links: the website for the movie, followed by the Entertainment Weekly article that includes Amy and Alexis together,and looking all Shakespeare like in a 21st Century world.

Of course, that's only the beginning. The Avengers is coming in May, but before that we FINALLY get to see Cabin in the Woods after the MGM bankrupcy drama. Let's also not forget it's Buffy the Vampire Slayer's 15th anniversary...and 20 years since that movie was shown. I was really disappointed by the blu-ray release of that movie. Why no cast reunion, or even more outtakes? C'mon, guys, she gave the WB a reason to exist. You should have worked harder. Then, again let's have the TV Buffy in blu-ray with new extras. That would be even better. Your move, Fox Home Entertainment.
Oh, and Firefly is ten years old in 2012. Browncoats assemble!

Saturday, October 22, 2011

Sorry, SMG, But You Look Better Staking Vampires

I tried to give Ringer a fair chance, because it is Sarah Michelle Gellar's return to TV. It's an interesting idea: a story of twin sisters reunited after a long estrangement, one apparently disappears, and the other takes her place to hide from a gangster who wants to kill her; the problem is apparently the other twin made a lot of enemies and was also awful to her husband and stepdaughter.

If it was just about that, I might stick around, but it looks like the show is stuck on Bridget (the god twin by comparison) getting surprised by how awful Siobhan (the bad twin) really was. She learns Shiv had an affair with her best friend's husband, and even talked about killing said best friend. She has a strained relationship with her husband, while her stepdaughter points out Siobhan stole hubby from his first wife. We also find out Siobhan made a lot of enemies, including one that may want to kill her.

All the while, Siobhan is scheming somewhere in Paris. She apparently wants to kill Bridget, who everyone thinks is Siobhan, and start a new life. Thing is, she's pregnant, but the show doesn't think that's important because it hasn't been mentioned since episode three. Bridget has the problem of faking Siobhan's pregnancy, and some of us think that Bridget is pregnant..but isn't.

Also, we have the worst FBI agent in the history of moving pictures. One day, Nestor Carbonell has to explain how he could play an FBI agent so inept. He can blame the writing, and he'd be right. Agent Machado not only can't tell the difference between Siobhan and Bridget, but in his search for Bridget to put away Gangster Guy, he never thinks to talk to the husband. See, Andrew, the husband, thinks Siobhan is an only child. Everyone did, until Gemma (the best friend) suddenly noticed "Shiv" didn't have that cooking scar. Moot point, since Gemma is dead or kidnapped, thanks to Siobhan, who is above it all and convinced no one will ever figure it out. That last plot point convinced me that there's no point in sticking around.

I like Sarah Michelle Gellar when she is taking charge, not scared out of her wits tyring to fake being someone else, and finding out awkwardly how awful her sister was. Maybe she figures she's part of a plan where she dies for her sister's sins, while Bad Twin has a new life as Cora Farrell. Add the fact that Siobhan is smarter than everyone else including incompetent law enforcement.

Compare this to ABC Family's The Lying Game, about long-separated twins who trade lives, but one of them doesn't come back because she's looking for their birth mother. At least the Rich Twin gets mistaken for the other twin, and she has to deal with the consequences. The only thing that would get me interested in Ringer is if Siobhan is mistaken for Bridget, and she has to live HER life for a while. Otherwise, waiting for Bridget to be mistakenly killed has lost its charm. There's also a plotline where Juliet the stepdaughter is having problems in a public high school, and a younger teacher played by Jason Dohring is the only one on her side. Since this is the CW, Juliet has to fall in love with her teacher. It's a miracle this doesn't happen on The Secret Circle.
Well, they are guaranteed 22 episodes, and that's enough time to make the show more compelling. Take out "Bridget is targeted for death" and replace it with "Siobhan is trapped in Bridget's world", and that might help. Of course, how long would Bridget force Siobhan to be trapped? Not long, and Shiv will betray Bridget and no one will notice.

There are other shows that have my attention, including Revenge. At least Emily Van Camp is Emily Thorne, or rather Amanda Clark (although I prefer Emanda Clarke-Thorne), a take-charge gal who has every right to destroy a massively rich couple who totally ruined her life a lot more than they can imagine or care (if they could). It's getting to the point, though, that innocent lives will be taken in this long battle, but it can't be helped. I suspect Emanada may face jail time even though Victoria and Conrad Grayson, the targets of her vengeance, committed more crimes against her. They'll get theirs, too, but Emanda will have to face punishment, even if she lists the evidence of their crimes against her. After that, she still wins..and probably expects to cease to exist when it's all over. I still like Emanda because she's a gal of action, instead of someone who has to pretend, and wonders when will she be exposed, and then dead.
You also have to admit Madeline Stowe is scary as Victoria Grayson. Maybe she should be the evil queen on Once Upon A Time instead.

I also like American Horror Story, which is really disturbing drama, and kind of exciting, too. I also think that if the show has a second season, Dylan McDermott and Connie Britton won't be part of it because the creators will kill their characters off, and admit the real star is Jessica Lange. I also have hopes for Grimm, if they can only make the lead character more interesting. When your sidekick outshines the lead actor, you're in trouble. Add that to competing against science in Fringe, and two other demon hunters in Supernatural, and Grimm will have a tough time attracting viewers.

Wednesday, September 14, 2011

Xander is coming to Sacramento

Nick Brendon, “Xander” from Buffy the Vampire Slayer, is among the guests at the 2011 Sacramento Sci-Fi Horror Show on Saturday, September 24th at the Scottish Rite Center at 6151 H Street in Sacramento. He’ll be talking to fans and signing autographs as well. Other guests will include Marina Sirtis from Star Trek: The Next Generation. Tickets are 10 dollars, and more information is available at http://www.sachorror.com/

Tuesday, September 6, 2011

Should Buffy Go Blu, If It's Not The TV Show?

I checked out the latest DVD column from Aint It Cool News, and it mentioned that next week, along with the Star Wars Blu-Ray release that everyone hates, we'll get the blu-ray version of the original Buffy the Vampire Slayer.
Fans of the TV show have been at a fever pitch about when the blu-ray version of the TV show will be available. Some of Joss Whedon's other shows have gone blu, including Firefly, Dollhouse and Dr. Horrible. Even Serenity has a blu-ray release. I have that DVD. So why not Buffy, and Angel for that matter? Is it cost, music royalties, deciding on the artwork for the package? Demand for those shows in blu-ray is quite strong. The decision should be obvious.

Now, making a blu-ray of the original Buffy movie would be a good idea, if you added something the regular DVD doesn't have. I checked the specs for the blu-ray release from the Foxconnect.com site. It's exactly the same as the regular DVD. The cover picture may be different, but that's not enough. This movie is more than just regular filler on a couple of cable channels these days, It's the movie that eventually saved the WB, and led to girl power on TV (and, we guess, Twilight)
Next year is the 20th anniversary of the movie. Why not have a cast reunion? Seeing Kristy Swnason, Luke Perry, Paul Reubens, Hillary Swank and David Arquette discuss the movie would be a hoot. Add cameos from Ben Affleck and Seth Green, and you have something even better. Notice I didn't mention Donald Sutherland, who played Merrick. I'm not sure he'd be part of the cast reunion. If you add Joss, though, that would REALLY be something.

Also, AMC had a TV show called "Backstory", where it talked about how certain movies were made. One of those movies was Buffy. It was how I found out Alicia Silverstone and Katies Holmes almost got the title role. Why not add that episode to the blu-ray?
So, Fox is hoping to get a few more bucks by making a blu-ray DVD of the Buffy movie with no additional extras. That, I think, is a waste of time. If you want a blu-ray, it should be updated compared to the original DVD. It should have more features. Otherwise, getting the regular DVD would be just fine.

So, Fox Home Entertainment, make up for the dull blu-ray version of the Buffy movie and approve the blu-ray version of the Buffy TV show...and Angel, too. After all, Buffy's 15th TV anniversary is coming up. A release date of next March should do it.