He's made a musical version of Buffy about the most demonic song and dance man ever, followed by a small internet musical that enjoyed slight success...AND AN EMMY!!!
We should have known it wouldn't be too long before Joss Whedon would get back in the musical game. This time, he'll be directing an episode of Glee, also known as the real High School Musical. It's about Will, a guy who wants to bring the glee club of his old high school back to greatness. He's got some unlikely, but good, talent, but also has to deal with a wife who's faking a pregnancy to keep him, an evil cheerleading teacher who thinks ruining the glee club will eventually get her a hovercraft, and a counselor who thinks she has to marry the school coach but hopes to avoid touching him.
Try that, Ashley Tisdale.
If you want a better explanation, like seeing the show, go here, then watch the show Wednesdays at 9 PM Pacific, 8 PM for you Central or Mountain guys.
But let's hear from the man himself, who told Whedonesque why he's doing it...
Hey kids and parents of kids and super-old, like ancestor-old-but-not-dead-yet-type people, just poking my oversized head in to say that the rumors are true... unless something very odd happens in the next few months, I will have the privilege of shooting an episode of GLEE. Why GLEE? Because I love cops, serial killers and gritty urban drama (I haven't seen the show yet). Why me? Because they're struggling and can't afford real directors. And to head off a few queries:
No, this doesn't mean Dollhouse definitely won't get a back nine. Our numbers mean that! But I kid. Okay, we're not exactly saving all the good stuff for 14-22, but nobody's closed the door. If D'House suddenly busts wide, huzzah, we'll still bring it, and I'll still go and direct an episode of Glee, because of my love of cops. These realities can co-exist. And possibly cross over, at least in fiction that I have wri - read. About.
What can we expect from a 'Joss Whedon' epsiode of Glee? An episode of Glee. God willin' and the crik don't rise, a good one. A television director's job is, on some level, to be anonymous; to find the most compelling way to present a story without calling attention to himself. I had a wonderful time doing just that on The Office, and hope to again. A guest director can bring a huge amount to the party (we've had CRAZY talent on Dollhouse), but the party isn't his. I just want to work with good people on a show that I like enough to have watched every episode several times. (I lied: I HAVE watched the show. And seriously, when do the cops show up?)
Whom will I kill? When will that go away? Is death really the only thing I'm known for? I'd hope not. You know how many people in the world actually die? ALL OF THEM. You know how many I've killed? Statistically, somewhat fewer. Can't we focus on another element of my work? Having said that, probably Principal Figgins. (No! I kid! God.)
Anyway, I hope that clears things up. I'm going to do my best, and more importantly, I'm going to do my best not to gush like a fanboy for eight straight days on set. Don't worry. I practiced with Bamber. I'm a pro.
Happy Monday. Especially for me. -j.
Of course, this leads to many possibilities, like Sweet hoping to do to Lima, Ohio what he did to Sunnydale....until he meets Sue Sylvester, the evil cheerleading coach. He may find himself trapped in a love duet that makes him wish he could burst into flames. Then he could be saved by Rachel, the Singing Slayer.
Or not. At least the "singing Slayer" idea could work. It woudn't take much to turn the Glee Club into a proto-Scooby Gang for Ohio.
This will happen when Glee has the second half of season one, probably April. By then, maybe Will's wife will be out of the way once her pregnancy scam is exposed. The sooner, the better. The other plot lines can stay.
Monday, October 19, 2009
Tuesday, October 13, 2009
Relief and Concern
Summer is clearly over, but winter has arrived early in Sacramento...just like Christmas decorations.
The wind and rain knocked the power out for a couple of hours, but I did amuse myself with my iPod. Still, I would have preferred TV so I can catch up on the shows I haven't see since Thursday. I also have to see a PBS special as part of a poll, but I can squeeze in that before Countdown.
Response to 3-07 of The Guild has been strong, especially the ending where we see the police are involved in the Axis of Anarchy's torturing of Bladezz so the Knights of Guild will be slain, and such. Since Zaboo is Riley's pet (she walks him down the neighborhood, coming next week? Hope his mom stops that!), and Codex is begging Vork to come back (she is not finding her inner strength, no matter what people say, unless she guilts Tink to come back), the A of A is invincible..but also a bunch of geeks who are lucky not to be seriously challenged. The tide better turn by next week, or Riley could take over the show...and maybe marry Fawkes of the A of A. Yikes!
Fans of Dollhouse are relieved to know we'll get 13 episodes in season two, but that's all. This mean Joss and company have to condense 18 episodes of plot into nine, which means to "comedy relief" episodes. It's full throttle to the end, especially when it looks like we'll see plenty of familiar faces.
However, does this mean we won't go back to Los Angeles 2019, to see how Mag, Zone and MiniEcho are doing in their search for SafeHaven(tm). We should at least see Adelle DeWitt in total disarray, and MiniEcho says, "well, that's what happens when the company you trust f's you over in the end." Adelle, of course, would say, "Now I know what your original self didn't shoot me. You knew I'd wish you did."
Well, from the decisions Adelle made last week, she could have it coming. I just hope we have a direct-to-DVD episode where we'd have something like that.
Also, the fact that we may only get 13 episodes in season two means the t-shirts I made from cointhatphrase.com may not be obsolete anymore. Click this link to see the slogans I made for a "Save Dollhouse" campaign, plus one for an Oscar bid involving a Nazi who could outscare anyone. Think Inglorious Basterds.
The wind and rain knocked the power out for a couple of hours, but I did amuse myself with my iPod. Still, I would have preferred TV so I can catch up on the shows I haven't see since Thursday. I also have to see a PBS special as part of a poll, but I can squeeze in that before Countdown.
Response to 3-07 of The Guild has been strong, especially the ending where we see the police are involved in the Axis of Anarchy's torturing of Bladezz so the Knights of Guild will be slain, and such. Since Zaboo is Riley's pet (she walks him down the neighborhood, coming next week? Hope his mom stops that!), and Codex is begging Vork to come back (she is not finding her inner strength, no matter what people say, unless she guilts Tink to come back), the A of A is invincible..but also a bunch of geeks who are lucky not to be seriously challenged. The tide better turn by next week, or Riley could take over the show...and maybe marry Fawkes of the A of A. Yikes!
Fans of Dollhouse are relieved to know we'll get 13 episodes in season two, but that's all. This mean Joss and company have to condense 18 episodes of plot into nine, which means to "comedy relief" episodes. It's full throttle to the end, especially when it looks like we'll see plenty of familiar faces.
However, does this mean we won't go back to Los Angeles 2019, to see how Mag, Zone and MiniEcho are doing in their search for SafeHaven(tm). We should at least see Adelle DeWitt in total disarray, and MiniEcho says, "well, that's what happens when the company you trust f's you over in the end." Adelle, of course, would say, "Now I know what your original self didn't shoot me. You knew I'd wish you did."
Well, from the decisions Adelle made last week, she could have it coming. I just hope we have a direct-to-DVD episode where we'd have something like that.
Also, the fact that we may only get 13 episodes in season two means the t-shirts I made from cointhatphrase.com may not be obsolete anymore. Click this link to see the slogans I made for a "Save Dollhouse" campaign, plus one for an Oscar bid involving a Nazi who could outscare anyone. Think Inglorious Basterds.
Monday, October 12, 2009
The Original Slayer Comes To Sacramento
When it's not summer, Cal Expo in Sacramento plays host to many events from concerts to small fairs. This past Sunday, it hosted Witchapalooza, a Halloween-themed outdoor market and carnival. Kids had bungee rides and games, while their parents either dressed up in costume, or got some ideas for costumes. One of the more interesting ones was a Steampunk shop with goggles that Dr. Horrible's great-grandfather may have worn.
However, it did have something outdoor fairs don't usually have...special guest stars. A friend of mine from work dressed like Alex DeLarge from A Clockwork Orange, and met the guy who played him, Malcom McDowell. He also met many who remember him from Heroes three years ago.
The other guest, though, made me glad I skipped what would have been a depressing NFL weekend.
Kristy Swanson, who first brought Buffy the Vampire Slayer to life on the movie screen, was there all day Sunday, signing pictures and even stakes. I was also lucky to ask her a few questions about the role and what she's doing now.
As you can see, she hasn't changed much since the movie was first shown in 1992, and could probably take down a few Hellspawn today, or teach a Potential how. I showed her my "Hemery High School yearbook" from the movie press packet, and she was surprised when she saw it.
Swanson said she was asked to come to Witchapalooza, and she agreed to do that. "They thought that Buffy would be a really good fit for Witchapalooza," she says. "Some of the fans would enjoy me being there, so I said 'sure, I'll come up.'" She said she has been in Sacramento a few times because she's friends with the Maloofs, who own the Sacramento Kings.
She also says she's "a big Halloween freak. I love Halloween. We would decorate the house, and we really get into it. If they had a Witchapalooza in L.A., near me, then I would go for sure and bring my son."
She was first seen as Buffy in August of 1992, and she said she got the part with the help of her co-star. "I auditioned for it, but I also had Luke Perry, who was in my corner, rooting for me," she recalled, "and letting them know that he really wanted me to play the part. They seemed to like me, just thought I was perfect for it, and I got the part."
She's recognized for her many roles in movies like Flowers in the Attic, Dude, Where's My Car?, The Phantom, and Deadly Friend, and in several TV roles, but she's often recognized as the Slayer. "It happens a lot. A lot of people say, "you're my favorite Buffy'," she says. "It's kind of funny. It's very sweet and flattering, and it makes me feel good."
What interested Swanson about the role was Buffy's sense of humor. "I just thought it was something that I could do and do well and be funny and have a good time," she says, "I like how she was such a teenager, but yet had all this responsibility, and had to be sort of a kick-ass kind of grown-up."
While many recognize Sarah Michelle Gellar as Buffy, Swanson says the show and the movie are different in many ways. "Buffy the movie is very lightweight and bubbly, and bubble-gummy and kind of fluffy" she says. "The TV series is much darker and different. So, it's like two different worlds."
She also wanted the right accent to reall bring her character to life. "It was written on the page," she says, "but I also sort of, I based it off my sister-in-law Jill and my friend Julie, ans the way they talk is very Valley."
Swanson recently visited DragonCon in Atlanta, where she was part of two panels that included Charisma Carpenter, Felicia Day, Julie Benz and James Marsters. She says she attends a couple of cons a year. "It's nice to come out, and there's really a lot of Buffy fans", she said...as she also noticed a few fans waiting to get her autograph.
At Dragoncon, Swanson was asked about the rumors of a possible remake of the original movie. If it does come to pass, she says she'd like to be part of it. "I think that would be a lot of fun," she says. "I think a lot of the Buffy fans out there would be upset if I didn't participate. Whatever they're doing, they probably should ask me to do something, even if it's a cameo, just for fun."
Note: I have said on another blog that a Buffy remake can work if you include Swanson and Perry as parents of a 17 year old girl who's suddenly staying out late at night....and finding out why. Then Swanson's character says, "I told you she had the Mark of the Coven (the birthmark that identified the next Slayer)". I also mentioned the Slayer-in-training should not be called Buffy, which would allow SMG to get involved in future sequels. It's an idea would unite the movie with the TV show.
Swanson has another title these days: Warrior Ambassador for Iraq Star, Inc., an organization that helps provide reconstructive surgery for veterans of the Iraq and Afghanistan wars. She says one of the surgeries was filmed for American Chopper, and will be shown next month.
Swanson will soon be seen in the movie What if... which will feature two other familiar faces, Kevin Sorbo of Hercules and John Ratzenberger of Cheers.
Finally, here's another photo....
However, it did have something outdoor fairs don't usually have...special guest stars. A friend of mine from work dressed like Alex DeLarge from A Clockwork Orange, and met the guy who played him, Malcom McDowell. He also met many who remember him from Heroes three years ago.
The other guest, though, made me glad I skipped what would have been a depressing NFL weekend.
Kristy Swanson, who first brought Buffy the Vampire Slayer to life on the movie screen, was there all day Sunday, signing pictures and even stakes. I was also lucky to ask her a few questions about the role and what she's doing now.
As you can see, she hasn't changed much since the movie was first shown in 1992, and could probably take down a few Hellspawn today, or teach a Potential how. I showed her my "Hemery High School yearbook" from the movie press packet, and she was surprised when she saw it.
Swanson said she was asked to come to Witchapalooza, and she agreed to do that. "They thought that Buffy would be a really good fit for Witchapalooza," she says. "Some of the fans would enjoy me being there, so I said 'sure, I'll come up.'" She said she has been in Sacramento a few times because she's friends with the Maloofs, who own the Sacramento Kings.
She also says she's "a big Halloween freak. I love Halloween. We would decorate the house, and we really get into it. If they had a Witchapalooza in L.A., near me, then I would go for sure and bring my son."
She was first seen as Buffy in August of 1992, and she said she got the part with the help of her co-star. "I auditioned for it, but I also had Luke Perry, who was in my corner, rooting for me," she recalled, "and letting them know that he really wanted me to play the part. They seemed to like me, just thought I was perfect for it, and I got the part."
She's recognized for her many roles in movies like Flowers in the Attic, Dude, Where's My Car?, The Phantom, and Deadly Friend, and in several TV roles, but she's often recognized as the Slayer. "It happens a lot. A lot of people say, "you're my favorite Buffy'," she says. "It's kind of funny. It's very sweet and flattering, and it makes me feel good."
What interested Swanson about the role was Buffy's sense of humor. "I just thought it was something that I could do and do well and be funny and have a good time," she says, "I like how she was such a teenager, but yet had all this responsibility, and had to be sort of a kick-ass kind of grown-up."
While many recognize Sarah Michelle Gellar as Buffy, Swanson says the show and the movie are different in many ways. "Buffy the movie is very lightweight and bubbly, and bubble-gummy and kind of fluffy" she says. "The TV series is much darker and different. So, it's like two different worlds."
She also wanted the right accent to reall bring her character to life. "It was written on the page," she says, "but I also sort of, I based it off my sister-in-law Jill and my friend Julie, ans the way they talk is very Valley."
Swanson recently visited DragonCon in Atlanta, where she was part of two panels that included Charisma Carpenter, Felicia Day, Julie Benz and James Marsters. She says she attends a couple of cons a year. "It's nice to come out, and there's really a lot of Buffy fans", she said...as she also noticed a few fans waiting to get her autograph.
At Dragoncon, Swanson was asked about the rumors of a possible remake of the original movie. If it does come to pass, she says she'd like to be part of it. "I think that would be a lot of fun," she says. "I think a lot of the Buffy fans out there would be upset if I didn't participate. Whatever they're doing, they probably should ask me to do something, even if it's a cameo, just for fun."
Note: I have said on another blog that a Buffy remake can work if you include Swanson and Perry as parents of a 17 year old girl who's suddenly staying out late at night....and finding out why. Then Swanson's character says, "I told you she had the Mark of the Coven (the birthmark that identified the next Slayer)". I also mentioned the Slayer-in-training should not be called Buffy, which would allow SMG to get involved in future sequels. It's an idea would unite the movie with the TV show.
Swanson has another title these days: Warrior Ambassador for Iraq Star, Inc., an organization that helps provide reconstructive surgery for veterans of the Iraq and Afghanistan wars. She says one of the surgeries was filmed for American Chopper, and will be shown next month.
Swanson will soon be seen in the movie What if... which will feature two other familiar faces, Kevin Sorbo of Hercules and John Ratzenberger of Cheers.
Finally, here's another photo....
Saturday, October 10, 2009
Recap of Dollhouse "Belle Chose" or Control Is Often A Mirage
A serial killer who kidnaps women so he can create the family he wishes he had.
A lonely college professor who wanted the perfect Penthouse Forum fantasy.
What do these two men have in common? Too much, but it's mainly that they want their fantasies to come true, and will do anything to do that.
The solution, of course, is the Dollhouse. However, it is also the problem, because it promises fantasies that come true, for a price. One other man will want the fantasy of a nephew who is perfect. All three wishes will lead to tragedy, and maybe the first step towards the world of "Epitaph One."
We begin with someone apparently fixing some mannequins, preparing for an Old Navy commercial. We also notice how this man is talking to these mannequins, like he's playing croquet with his mom, sisters and Aunt Sheila during brunch...and how the mannequins look life-like.
Actually, Terry Karrens is a very disturbed man. These are real people, who he's paralyzed so that they can be his toys to enjoy a past he never had. One of them, who is "Aunt Sheila", tries to crawl away, but he kills her with a mallet. After he does this, he feels nothing. He only knows he's got to find another Aunt Sheila.
He goes out to find a new aunt, but doesn't see a car coming towards him.
At the Dollhouse, Paul looks for Echo in the showers. He finds her, all wet and nude. Adelle also talks to Boyd over Dr. Saunders' escape. It's worrisome, and really puts a dent in the medical department. Victor seems to agree, as he points out that there's someone who's not at his best. It's Terry, in a coma. Adelle says it's important to revive Terry because his uncle is a major shareholder in Rossum, and they want, they get (sorry, Senator Perrin). She also seriously downplays the trouble Terry's in, and asks Boyd not to translate her remarks to reality. Topher thinks he can revive Terry if he sneaks up to his reticular activating system. It could also give him a man reaction.
However, looking at Terry's brain says otherwise. Seems there's a part of his brain that doesn't work: the part that includes empathy, compassion and the need to not disembowel puppies. It's so bad Topher suddenly has ethics against awakening dangerously crazy people.
As for Echo, she has an engagement with a college professor who apparently wants a sex fantasy with a student, and throw in some Chaucer in the deal. What we get is Kiki, who's way too peppy, and wonders if she can do some yoga disco. Paul's not looking forward to this.
Meanwhile, Adele talks to Terry's uncle, Bradley. He admits he's not been completely truthful about the unpleasant things Terry has done. He is worried about bodies and survivors, and what Terry's father will think. He wants to talk to Terry, and Adelle will do that....on her terms. This means putting Terry's personality in Victor, and using Paul to interview him. Boyd will have to deal with Echo/Kiki.
At this point, the episode compares Victor/Terry with Professor Gossen, how they see women, and what desires they have. Victor/Terry has very dark desires. He demands that he be set free, or speak to a lawyer. Paul tells him he won't get either, but he will explain why he wanted those women. Just who are they to Terry?
Switch to a lecture by Gossen on the Canterbury Tales, with Echo/Kiki in the audience. She gets her fake exam with a fake "F". It's supposed to start his engagement. As Kiki, Echo is a party girl, who begs the professor to change her grade. Of course, we know he will....and how he'll be persuaded.
Back to Terry, Paul asks him if he's been doing dentistry on big cats. It may explain the paralyzing agent he has on him. Of course, Terry's actually been doing some doll making. Terry denies he's kidnapped anyone, but Paul presses him. Bradley, seeing this in Adelle's room, says this is wrong. Paul should be on Terry's side, but Adelle says he isn't. She suggests Bradley visit real Terry in his hospital room.
She then sees Paul has figured out Terry has kidnapped people who look like his mom, sisters and Aunt Sheila for some sick reason. He then explains Terry's motivation which would also apply to Gossen...and Adelle.
At some point, you decided real people weren't worth it. You pushed them away, alienated everyone in your life, so you could surround yourself with the fakes...It made you feel like you had some control.
Then Paul proves Terry has no control by showing him his own body. "Goodness gracious," he says. He even sees Bradley in there, too. Then Terry starts ranting about how it's "Aunt Sheila's" fault, they're never nice, they don't pay attention to him, and that they're whores.
Compare this to how Gossen explains to Echo/Kiki that Alison from "The Miller's Tale" isn't a whore. She's more bawdy and self-aware, and that she doesn't let men define her. This is ironic because the professor is defining her in this engagement. He also says has her own power with sex, using the quote, "Meself have been the whippe." If he is sincere, why did he want this Penthouse Forum fantasy? If he's paying for this, isn't he making Echo/Kiki a whore anyway? The fact we see this while Terry is calling women "whores" implies they're two sides of the same coin.
As Adelle and Paul discuss what they've learned, an alarm sounds that says Terry has suffered cardiac arrest. Actually, someone tampered with his bed. It was a ruse by Bradley to get Victor/Terry out of there. He thinks he can get through to him, and of course he's wrong. Victor/Terry knocks Bradley out, hits another car, and calmly leaves, searching for a new Aunt Sheila
Adelle isn't worried. They'll just follow Victor/Terry with the GPS strip on his body...which he doesn't have because it was removed when his face was fixed. D'oh! They do trace the location of Bradley's car with its GPS, and Paul is certain Victor/Terry will go back to his victims. They also suspect they could be in Beverly Hills, where the original accident took place.
The victims, meanwhile, finally recover from the paralyzing agent. One girl, Robin, tells another, Megan, "We're human, not his toys." They are determined to escape.
Adelle now suggests wiping Victor/Terry via remote control, as Alpha did with Echo in "Grey Hour." Well, he can't call him with the tone with no phone number, but he has to try. You know, this sounds like the "imprinting people via telephone" he ranted about in "Epitaph One". Is this how he started trying it? Thanks, Adelle.
Topher hits the tone, and Victor/Terry hears it in a disco. It seems to work, until the system blacks out twice. The tone instead moves Terry's self...to Echo, just as Gossen is about to make his move in Echo/not-Kiki. He winds up getting stabbed in the neck, and she says "goodness gracious". Well, this is more like "Holy Excrement" or something like that. Echo/Terry makes the attack look like a robbery, and goes off to get a new Aunt Sheila..or worse.
So where's Kiki? Well, did you ever see The Hot Chick?
Yep, Kiki's in Victor's body, and he's turned into Disco Numfar, chatting up the guys while quoting Chaucer. When Victor/Kiki propositions one of the guys, he gets him, abut he slugs him right back. "You suck," he says, "Trying to hit a girl?" Boyd also finds Gossen, and hopefully he will survive.
Echo/Terry finds the missing girls, and threatens to kill them, but she stops when she gets flashes of what Terry has done. She says the only way to stop him is to kill her. At least one girl is reluctant, until Echo gives in detail how he stalked all of them. Echo would have sacrificed herself if not for the Dollhouse minions coming in time. Paul asks Echo if she's all right. "I don't think so," she says.
Echo is wiped, and seems to be normal. Adelle sees Terry's body, and hopes he doesn't wake up. Echo also sees Terry, and sees him die. Her only reaction.."goodness gracious."
Does this mean a part of Terry will live on in Echo, and that would affect future engagements, including the hidden one where she takes down the Dollhouse? That final scene, I think, is the start of the road that will lead to the post-apocalyptic world in "Epitaph One." Remember, in that episode, we saw Ambrose download his personality into Victor and several other Actives to announce Rossum is taking over the world through this new style of body snatching. If a piece of a serial killer is sleeping inside an Active, why not a whole person in more than one body?
This episode, written by Tim Minear, is the darkest episode yet, but also generates a lot of discussion about sexual fantasies, and how some men see women. Comparing the motivations of Terry and Professor Gossen really reflects that. Again, though, we see clues to how we may be headed to "Epitaph One," all because one big company wanted to to fulfill the fantasies of those would pay for it.
The show takes a week off next week for baseball, but this will happen only once. Episode four, "Belonging," is said it be another excellent episode. It's coming on the 23rd.
As for the ratings, they went up to 1.0, and 2.25 million viewers. The fan campaigns are working, and Fox seems to be reminded of that. Making promos of the show would also help. After all, some very special guest stars will be coming to the Dollhouse...including someone who may start reprogramming brains about seven years after the Academy did it to her.
A lonely college professor who wanted the perfect Penthouse Forum fantasy.
What do these two men have in common? Too much, but it's mainly that they want their fantasies to come true, and will do anything to do that.
The solution, of course, is the Dollhouse. However, it is also the problem, because it promises fantasies that come true, for a price. One other man will want the fantasy of a nephew who is perfect. All three wishes will lead to tragedy, and maybe the first step towards the world of "Epitaph One."
We begin with someone apparently fixing some mannequins, preparing for an Old Navy commercial. We also notice how this man is talking to these mannequins, like he's playing croquet with his mom, sisters and Aunt Sheila during brunch...and how the mannequins look life-like.
Actually, Terry Karrens is a very disturbed man. These are real people, who he's paralyzed so that they can be his toys to enjoy a past he never had. One of them, who is "Aunt Sheila", tries to crawl away, but he kills her with a mallet. After he does this, he feels nothing. He only knows he's got to find another Aunt Sheila.
He goes out to find a new aunt, but doesn't see a car coming towards him.
At the Dollhouse, Paul looks for Echo in the showers. He finds her, all wet and nude. Adelle also talks to Boyd over Dr. Saunders' escape. It's worrisome, and really puts a dent in the medical department. Victor seems to agree, as he points out that there's someone who's not at his best. It's Terry, in a coma. Adelle says it's important to revive Terry because his uncle is a major shareholder in Rossum, and they want, they get (sorry, Senator Perrin). She also seriously downplays the trouble Terry's in, and asks Boyd not to translate her remarks to reality. Topher thinks he can revive Terry if he sneaks up to his reticular activating system. It could also give him a man reaction.
However, looking at Terry's brain says otherwise. Seems there's a part of his brain that doesn't work: the part that includes empathy, compassion and the need to not disembowel puppies. It's so bad Topher suddenly has ethics against awakening dangerously crazy people.
As for Echo, she has an engagement with a college professor who apparently wants a sex fantasy with a student, and throw in some Chaucer in the deal. What we get is Kiki, who's way too peppy, and wonders if she can do some yoga disco. Paul's not looking forward to this.
Meanwhile, Adele talks to Terry's uncle, Bradley. He admits he's not been completely truthful about the unpleasant things Terry has done. He is worried about bodies and survivors, and what Terry's father will think. He wants to talk to Terry, and Adelle will do that....on her terms. This means putting Terry's personality in Victor, and using Paul to interview him. Boyd will have to deal with Echo/Kiki.
At this point, the episode compares Victor/Terry with Professor Gossen, how they see women, and what desires they have. Victor/Terry has very dark desires. He demands that he be set free, or speak to a lawyer. Paul tells him he won't get either, but he will explain why he wanted those women. Just who are they to Terry?
Switch to a lecture by Gossen on the Canterbury Tales, with Echo/Kiki in the audience. She gets her fake exam with a fake "F". It's supposed to start his engagement. As Kiki, Echo is a party girl, who begs the professor to change her grade. Of course, we know he will....and how he'll be persuaded.
Back to Terry, Paul asks him if he's been doing dentistry on big cats. It may explain the paralyzing agent he has on him. Of course, Terry's actually been doing some doll making. Terry denies he's kidnapped anyone, but Paul presses him. Bradley, seeing this in Adelle's room, says this is wrong. Paul should be on Terry's side, but Adelle says he isn't. She suggests Bradley visit real Terry in his hospital room.
She then sees Paul has figured out Terry has kidnapped people who look like his mom, sisters and Aunt Sheila for some sick reason. He then explains Terry's motivation which would also apply to Gossen...and Adelle.
At some point, you decided real people weren't worth it. You pushed them away, alienated everyone in your life, so you could surround yourself with the fakes...It made you feel like you had some control.
Then Paul proves Terry has no control by showing him his own body. "Goodness gracious," he says. He even sees Bradley in there, too. Then Terry starts ranting about how it's "Aunt Sheila's" fault, they're never nice, they don't pay attention to him, and that they're whores.
Compare this to how Gossen explains to Echo/Kiki that Alison from "The Miller's Tale" isn't a whore. She's more bawdy and self-aware, and that she doesn't let men define her. This is ironic because the professor is defining her in this engagement. He also says has her own power with sex, using the quote, "Meself have been the whippe." If he is sincere, why did he want this Penthouse Forum fantasy? If he's paying for this, isn't he making Echo/Kiki a whore anyway? The fact we see this while Terry is calling women "whores" implies they're two sides of the same coin.
As Adelle and Paul discuss what they've learned, an alarm sounds that says Terry has suffered cardiac arrest. Actually, someone tampered with his bed. It was a ruse by Bradley to get Victor/Terry out of there. He thinks he can get through to him, and of course he's wrong. Victor/Terry knocks Bradley out, hits another car, and calmly leaves, searching for a new Aunt Sheila
Adelle isn't worried. They'll just follow Victor/Terry with the GPS strip on his body...which he doesn't have because it was removed when his face was fixed. D'oh! They do trace the location of Bradley's car with its GPS, and Paul is certain Victor/Terry will go back to his victims. They also suspect they could be in Beverly Hills, where the original accident took place.
The victims, meanwhile, finally recover from the paralyzing agent. One girl, Robin, tells another, Megan, "We're human, not his toys." They are determined to escape.
Adelle now suggests wiping Victor/Terry via remote control, as Alpha did with Echo in "Grey Hour." Well, he can't call him with the tone with no phone number, but he has to try. You know, this sounds like the "imprinting people via telephone" he ranted about in "Epitaph One". Is this how he started trying it? Thanks, Adelle.
Topher hits the tone, and Victor/Terry hears it in a disco. It seems to work, until the system blacks out twice. The tone instead moves Terry's self...to Echo, just as Gossen is about to make his move in Echo/not-Kiki. He winds up getting stabbed in the neck, and she says "goodness gracious". Well, this is more like "Holy Excrement" or something like that. Echo/Terry makes the attack look like a robbery, and goes off to get a new Aunt Sheila..or worse.
So where's Kiki? Well, did you ever see The Hot Chick?
Yep, Kiki's in Victor's body, and he's turned into Disco Numfar, chatting up the guys while quoting Chaucer. When Victor/Kiki propositions one of the guys, he gets him, abut he slugs him right back. "You suck," he says, "Trying to hit a girl?" Boyd also finds Gossen, and hopefully he will survive.
Echo/Terry finds the missing girls, and threatens to kill them, but she stops when she gets flashes of what Terry has done. She says the only way to stop him is to kill her. At least one girl is reluctant, until Echo gives in detail how he stalked all of them. Echo would have sacrificed herself if not for the Dollhouse minions coming in time. Paul asks Echo if she's all right. "I don't think so," she says.
Echo is wiped, and seems to be normal. Adelle sees Terry's body, and hopes he doesn't wake up. Echo also sees Terry, and sees him die. Her only reaction.."goodness gracious."
Does this mean a part of Terry will live on in Echo, and that would affect future engagements, including the hidden one where she takes down the Dollhouse? That final scene, I think, is the start of the road that will lead to the post-apocalyptic world in "Epitaph One." Remember, in that episode, we saw Ambrose download his personality into Victor and several other Actives to announce Rossum is taking over the world through this new style of body snatching. If a piece of a serial killer is sleeping inside an Active, why not a whole person in more than one body?
This episode, written by Tim Minear, is the darkest episode yet, but also generates a lot of discussion about sexual fantasies, and how some men see women. Comparing the motivations of Terry and Professor Gossen really reflects that. Again, though, we see clues to how we may be headed to "Epitaph One," all because one big company wanted to to fulfill the fantasies of those would pay for it.
The show takes a week off next week for baseball, but this will happen only once. Episode four, "Belonging," is said it be another excellent episode. It's coming on the 23rd.
As for the ratings, they went up to 1.0, and 2.25 million viewers. The fan campaigns are working, and Fox seems to be reminded of that. Making promos of the show would also help. After all, some very special guest stars will be coming to the Dollhouse...including someone who may start reprogramming brains about seven years after the Academy did it to her.
Sunday, October 4, 2009
Echo's Not Ready To Be Pushing Daisies
Last year, I saw one of my favorite shows die a slow death.
Pushing Daisies was an ABC comedy about a baker who could bring people back from the dead for a minute, and he uses it to help a detective solve crimes. The baker wound up reviving his dead girlfriend, but if he touched her again, she would be dead for keeps. Add two odd sisters and a short yet sexy lovelorn waitress...and maybe a promotions department who knew what it was doing...it's the recipe for fine TV.
Well, after the season premiere a year ago didn't meet expectations, ABC shifted its attention to those shows that still did well, from Desperate Housewives to Dancing With the Stars. It totally forgot about Pushing Daisies, and stopped airing the show in early December. The final three episodes were shown at the Paley Festival in Los Angeles three months before they were finally shown on TV...and that was done just to promote the DVD set.
The point is that once ABC seemed to forget Pushing Daisies' existence, its ratings went down, and the show never got the second chance it deserved.
Now let's look at what happened with Dollhouse's second episode, "Instinct". Its rating for 18-49 was 0.8, or less than two point one million viewers. That's a disappointing result, considering this is the only promo it got, and it was shown likely once.
Compare that to Stargate Universe, which was promoted to the hit by Syfy for weeks. It got two point three million viewers which is great for cable, but not if you're on Fox. Having two sitcoms as a lead-in doesn't work either.
However, gossi with Dollverse, and many other fans, are not taking this lying down. They are getting Dollhouse fans to demand Fox air all the 13 episodes they asked for. Besides, the best is yet to come. We know Summer Glau is coming, along with Ray Wise from Reaper. We still don't know how close Senator Perrin (Alexis Denisof) will be getting to the Dollhouse, and how it could affect him. Hey, we don't know if there will be an "Epitaph Two".
This is no time for Fox programming to be a "death panel" when Dollhouse is healthier than Dr. House's success stories. Give Dollhouse better promos, and no fair combining it with less-than-funny sitcoms.
If you'd like to help, do to dollverse.com or @gossi or @echoalert at Twitter.
As Echo would say, "We are lost, but we are not gone."
We will not lose. We will not be gone, and neither will the Dollhouse. Not now. Not when the real story is about to be told.
After all, ABC must regret letting Pushing Daisies die a slow death due to neglect, especially after it earned four Emmys two weeks ago.
UPDATE: Final numbers went up slightly, 0.9/3 but total viewers went down.
Pushing Daisies was an ABC comedy about a baker who could bring people back from the dead for a minute, and he uses it to help a detective solve crimes. The baker wound up reviving his dead girlfriend, but if he touched her again, she would be dead for keeps. Add two odd sisters and a short yet sexy lovelorn waitress...and maybe a promotions department who knew what it was doing...it's the recipe for fine TV.
Well, after the season premiere a year ago didn't meet expectations, ABC shifted its attention to those shows that still did well, from Desperate Housewives to Dancing With the Stars. It totally forgot about Pushing Daisies, and stopped airing the show in early December. The final three episodes were shown at the Paley Festival in Los Angeles three months before they were finally shown on TV...and that was done just to promote the DVD set.
The point is that once ABC seemed to forget Pushing Daisies' existence, its ratings went down, and the show never got the second chance it deserved.
Now let's look at what happened with Dollhouse's second episode, "Instinct". Its rating for 18-49 was 0.8, or less than two point one million viewers. That's a disappointing result, considering this is the only promo it got, and it was shown likely once.
Compare that to Stargate Universe, which was promoted to the hit by Syfy for weeks. It got two point three million viewers which is great for cable, but not if you're on Fox. Having two sitcoms as a lead-in doesn't work either.
However, gossi with Dollverse, and many other fans, are not taking this lying down. They are getting Dollhouse fans to demand Fox air all the 13 episodes they asked for. Besides, the best is yet to come. We know Summer Glau is coming, along with Ray Wise from Reaper. We still don't know how close Senator Perrin (Alexis Denisof) will be getting to the Dollhouse, and how it could affect him. Hey, we don't know if there will be an "Epitaph Two".
This is no time for Fox programming to be a "death panel" when Dollhouse is healthier than Dr. House's success stories. Give Dollhouse better promos, and no fair combining it with less-than-funny sitcoms.
If you'd like to help, do to dollverse.com or @gossi or @echoalert at Twitter.
As Echo would say, "We are lost, but we are not gone."
We will not lose. We will not be gone, and neither will the Dollhouse. Not now. Not when the real story is about to be told.
After all, ABC must regret letting Pushing Daisies die a slow death due to neglect, especially after it earned four Emmys two weeks ago.
UPDATE: Final numbers went up slightly, 0.9/3 but total viewers went down.
Saturday, October 3, 2009
Recap of Dollhouse "Instinct", or What If Mommy Was The Doll?
Everyone has seen a little girl play house, pretending to be a mom by taking care of a baby doll. It's all pretend, but the child looks so serious about it.
What if the roles were reversed, and you got a Doll to take care of a baby?
That's what we have this week in "Instinct", where Echo becomes a mother with very deep maternal instincts. We also hear more from Senator Daniel Perrin, and a familiar face is back.
The episode starts with Paul Ballard looking at the chair that turns Actives into anyone. He even sits in the chair, which may give Adelle DeWitt some ideas if she saw him like that. Instead, it's Topher, who chides Paul not to touch the chair. He also raves about how he's now able to program an Active at a glandular level. He says he could make someone's brain fight cancer or be telekinetic. Paul asks if Topher could do it to him, but Topher says no. "The human mind if like Van Halen," he explains. "If you just pull out one piece and keep replacing it, it just degenerates." That's proof Topher preferred David Lee Roth.
Then we see Echo in her new role, new mom Emily Jordan, in bed with her "husband" (and client), Nate. She wakes up to check on her baby boy, Jack. We even see her breast-feed. Topher may have done some tweaking to make it easier for Echo/Emily to lactate. Keep this in mind.
Next morning, we see Nate ready to go to work, For some reason, he doesn't want to bond with his son. Echo/Emily talks about this to her friend, Kelly...who's really Sierra. Echo/Emily says he works late, and has these strange phone calls. There's also a black van parked outside the house, waiting for something. That's really Paul, doing his job as a Handler. Sierra/Kelly suggests her friend relax for a night. Instead, Echo/Emily breaks into Nate's desk, and finds some photos of another woman. Nate reveals it was Karen, a woman he used to know. He apologizes for not saying anything, and suggests she rest while he takes care of little Jack.
Later that night, she hears one of his strange phone calls. He says he's calling it off, and he's going to get rid of the baby. We suspect he was talking to Adelle DeWitt, but Echo/Emily thinks it's more sinister.
Meanwhile, Senator Wes--Daniel Perrin (Alexis Denisof, by any other name) wonders to his wife Cindy if he jumped the gun after last week's press conference accusing Rossum of questionable dealings and medical experiments. He'd hoped someone would step forward, but no one has. All they have, Cindy says, is a guy who claims Rossum mailed his liver to Saturn. At least Perrin has financial records, and anecdotal proof. He did have a contact in the NSA (Lawrence Dominic, probably) but nothing solid...until someone leaves an interesting green file outside his door.
Back in Los Angeles, Adelle decides to chat with the former Miss November, now Madeline Costly. Why? EVIL!
Maddie wouldn't be surprised. She admits if she says the wrong thing, like the Dollhouse is real, guys in suits will toss her in a van and take her away. While there is no van (right now), Adelle suggests Madeline do a post-Active diagnostic. After all, the Dollhouse doesn't cast aside former Actives to the wolves. I suspected this was really a plan to turn Maddie into an Active again, sort of like the Army's stop-loss program. This wasn't the case, but I bet if there was an emergency...
Meanwhile, Echo/Emily tries to leave the house, but Nate suggests a family breakfast. She shies away from that, and calls Sierra/Kelly to help her escape. She arrives, but so does the van. She gets in, because it's time for a treatment. Paul comes in the house, and offers Echo/Emily a treatment. He hears voices, but finds a baby monitor in the crib. She and the kid have split.
Nate's upset Adelle is just sitting there with her tea. She assures him they are looking for Echo/Emily and Jack. She also points out that he asked for a mother who would bond with Jack in every way, as if she were the real mom. She even understands why he wanted this, and reveals he may give Jack up for adoption.
Echo/Emily manages to get some protection from the police, saying that she doesn't understand why Nate would change. "It's like the person I knew wasn't there anymore," she says.
Nate does arrive, and gets Jack. Paul's there to take Echo/Emily away while she demands she get her baby back.
Madeline gets her diagnostic, and she passes. Topher offers some enhancements, like maybe ventriloquism, but no dice. She's happy with her hula and ukulele...which is what Miracle Laurie does off the set (and quite well).
Paul then comes in with Echo. They try to giver her the treatment, but she gets away. She's soon knocked out, which upsets Topher because he can only wipe an Active when she's awake. Maddie is surprised that Echo really through she was Jack's mom, even though Paul said it's all make believe. Well, Maddie says, not to Echo. She wonders if she was ever like that when she was an Active. Paul plays dumb about this, but we know. It was love between them, because both wanted to believe it was real. He's also surprised to learn Maddie had a child that died from terminal cancer. She said she couldn't function after losing the child. That's when Adelle came in with a way to escape her grief, which also surprises Paul. He asks if Maddie is happy. She says she's not sad. Still, shouldn't she have some grief for her child, because it was part of her?
At the chair, Echo begs Topher to help her get Jack back. He promises he'll make her worries go away, and he does. He does the treatment, and she asks "did I fall asleep?" Topher says "for a little while."
Then Topher falls asleep....thanks to the uppercut Echo gives him. She asks if she can go, but that's a moot point.
Senator Perrin, meanwhile, is stunned to learn what the file reveals about the Dollhouse. He says the original issue is that Rossum wouldn't help his mom when she was fading from Alzheimer's. Now it's a bigger issue. His wife is worried what could happen to them, but it's a risk worth taking. They are coming close to the truth, because they have a name. We just don't know if it begins with a C, M or even A.
At the Dollhouse, Adelle asks what went wrong this time. Paul figures that because Topher changed Echo in a glandular level, "her body is stronger than her brain." Her maternal instinct, which can't be taken away, is driving her to Jack. Topher figures tweaking Echo to lactate more may have caused the problem. Well, it's more than that. She's at Nate's house with the baby, and a knife.
She won't give up Jack, and threatens to stab Nate. He then admits he needed an Active to be a mom to Jack, because Karen, the real mom and his wife, died in childbirth. He actually blamed his son at one point. That's why he did all this. Now, he's telling Echo he's not his mom, and can't be anymore. She's devastated, but gives up the child. We don't know if he decides to raise Jack, but he should.
Afterwards, Paul sees Echo in shock. "All of these things that happen to me," she says, "I feel them", rather than remember them. She can't believe they'd make her think she was Jack's mom, then take him away. Paul says maybe it's too tough for Echo to help him bring down the Dollhouse. Maybe he can help her forget these feelings she's having after the engagements.
"Feeling nothing would be worse," she says. "I'm awake now."
That last line is telling. Madeline says that she wasn't sad anymore she lost a child to cancer, thanks to being an Active. But is she still, in a way, asleep?
Echo would rather be wide awake, and be a real live girl...pain and all.
While people raved about Eliza Dushku's performance as Echo and Emily, I was a bit put off at the end. The episode made Emily a little too paranoid, only because she didn't know what was happening. That's the idea when you hire an Active, but it didn't work very well. I also didn't like the thunder in Echo/Emily's confrontation with Nate. It was over-the-top.
"Instinct" was written by Michele Fazekas and Tara Butters, the creators of Reaper, which was about a guy whose dad may have been Satan. We just know Ray Wise, who played Satan, will be on Dollhouse soon, likely complete with three-piece suits that are fashionable and evil. Maybe.
The show returns next week, then takes a break for baseball that may last one to three weeks.
Judging from the ratings, however, it could be longer than that. "Instinct" pulled in less than 2.1 million viewers, although it was a terrible Friday for Fox. The premiere of Stargate Universe had 200,000 more viewers, but that is big news that cable bested Fox and the CW. It's also sad news for the Dollhouse, now that at least one obituary has popped up on the internets.
Well, let's take some other factors into consideration: they didn't show any promos for Dollhouse until the night before. What promo they did show was basically this...
Combine comedy with sci-fi? Can't do it, unless you're Red Dwarf.
Eliza Dushku will spread the word about the show next week on Jimmy Fallon and David Letterman. Let's hope it helps for episode 3, "Belle Chose". If not, it may another slow death, just like what ABC did to Pushing Daisies last season.
Then again, whose idea was it to think stale sitcoms could draw sci-fi fans like honey? Human Target, which is coming early next year, could have been a better idea for Friday nights.
What if the roles were reversed, and you got a Doll to take care of a baby?
That's what we have this week in "Instinct", where Echo becomes a mother with very deep maternal instincts. We also hear more from Senator Daniel Perrin, and a familiar face is back.
The episode starts with Paul Ballard looking at the chair that turns Actives into anyone. He even sits in the chair, which may give Adelle DeWitt some ideas if she saw him like that. Instead, it's Topher, who chides Paul not to touch the chair. He also raves about how he's now able to program an Active at a glandular level. He says he could make someone's brain fight cancer or be telekinetic. Paul asks if Topher could do it to him, but Topher says no. "The human mind if like Van Halen," he explains. "If you just pull out one piece and keep replacing it, it just degenerates." That's proof Topher preferred David Lee Roth.
Then we see Echo in her new role, new mom Emily Jordan, in bed with her "husband" (and client), Nate. She wakes up to check on her baby boy, Jack. We even see her breast-feed. Topher may have done some tweaking to make it easier for Echo/Emily to lactate. Keep this in mind.
Next morning, we see Nate ready to go to work, For some reason, he doesn't want to bond with his son. Echo/Emily talks about this to her friend, Kelly...who's really Sierra. Echo/Emily says he works late, and has these strange phone calls. There's also a black van parked outside the house, waiting for something. That's really Paul, doing his job as a Handler. Sierra/Kelly suggests her friend relax for a night. Instead, Echo/Emily breaks into Nate's desk, and finds some photos of another woman. Nate reveals it was Karen, a woman he used to know. He apologizes for not saying anything, and suggests she rest while he takes care of little Jack.
Later that night, she hears one of his strange phone calls. He says he's calling it off, and he's going to get rid of the baby. We suspect he was talking to Adelle DeWitt, but Echo/Emily thinks it's more sinister.
Meanwhile, Senator Wes--Daniel Perrin (Alexis Denisof, by any other name) wonders to his wife Cindy if he jumped the gun after last week's press conference accusing Rossum of questionable dealings and medical experiments. He'd hoped someone would step forward, but no one has. All they have, Cindy says, is a guy who claims Rossum mailed his liver to Saturn. At least Perrin has financial records, and anecdotal proof. He did have a contact in the NSA (Lawrence Dominic, probably) but nothing solid...until someone leaves an interesting green file outside his door.
Back in Los Angeles, Adelle decides to chat with the former Miss November, now Madeline Costly. Why? EVIL!
Maddie wouldn't be surprised. She admits if she says the wrong thing, like the Dollhouse is real, guys in suits will toss her in a van and take her away. While there is no van (right now), Adelle suggests Madeline do a post-Active diagnostic. After all, the Dollhouse doesn't cast aside former Actives to the wolves. I suspected this was really a plan to turn Maddie into an Active again, sort of like the Army's stop-loss program. This wasn't the case, but I bet if there was an emergency...
Meanwhile, Echo/Emily tries to leave the house, but Nate suggests a family breakfast. She shies away from that, and calls Sierra/Kelly to help her escape. She arrives, but so does the van. She gets in, because it's time for a treatment. Paul comes in the house, and offers Echo/Emily a treatment. He hears voices, but finds a baby monitor in the crib. She and the kid have split.
Nate's upset Adelle is just sitting there with her tea. She assures him they are looking for Echo/Emily and Jack. She also points out that he asked for a mother who would bond with Jack in every way, as if she were the real mom. She even understands why he wanted this, and reveals he may give Jack up for adoption.
Echo/Emily manages to get some protection from the police, saying that she doesn't understand why Nate would change. "It's like the person I knew wasn't there anymore," she says.
Nate does arrive, and gets Jack. Paul's there to take Echo/Emily away while she demands she get her baby back.
Madeline gets her diagnostic, and she passes. Topher offers some enhancements, like maybe ventriloquism, but no dice. She's happy with her hula and ukulele...which is what Miracle Laurie does off the set (and quite well).
Paul then comes in with Echo. They try to giver her the treatment, but she gets away. She's soon knocked out, which upsets Topher because he can only wipe an Active when she's awake. Maddie is surprised that Echo really through she was Jack's mom, even though Paul said it's all make believe. Well, Maddie says, not to Echo. She wonders if she was ever like that when she was an Active. Paul plays dumb about this, but we know. It was love between them, because both wanted to believe it was real. He's also surprised to learn Maddie had a child that died from terminal cancer. She said she couldn't function after losing the child. That's when Adelle came in with a way to escape her grief, which also surprises Paul. He asks if Maddie is happy. She says she's not sad. Still, shouldn't she have some grief for her child, because it was part of her?
At the chair, Echo begs Topher to help her get Jack back. He promises he'll make her worries go away, and he does. He does the treatment, and she asks "did I fall asleep?" Topher says "for a little while."
Then Topher falls asleep....thanks to the uppercut Echo gives him. She asks if she can go, but that's a moot point.
Senator Perrin, meanwhile, is stunned to learn what the file reveals about the Dollhouse. He says the original issue is that Rossum wouldn't help his mom when she was fading from Alzheimer's. Now it's a bigger issue. His wife is worried what could happen to them, but it's a risk worth taking. They are coming close to the truth, because they have a name. We just don't know if it begins with a C, M or even A.
At the Dollhouse, Adelle asks what went wrong this time. Paul figures that because Topher changed Echo in a glandular level, "her body is stronger than her brain." Her maternal instinct, which can't be taken away, is driving her to Jack. Topher figures tweaking Echo to lactate more may have caused the problem. Well, it's more than that. She's at Nate's house with the baby, and a knife.
She won't give up Jack, and threatens to stab Nate. He then admits he needed an Active to be a mom to Jack, because Karen, the real mom and his wife, died in childbirth. He actually blamed his son at one point. That's why he did all this. Now, he's telling Echo he's not his mom, and can't be anymore. She's devastated, but gives up the child. We don't know if he decides to raise Jack, but he should.
Afterwards, Paul sees Echo in shock. "All of these things that happen to me," she says, "I feel them", rather than remember them. She can't believe they'd make her think she was Jack's mom, then take him away. Paul says maybe it's too tough for Echo to help him bring down the Dollhouse. Maybe he can help her forget these feelings she's having after the engagements.
"Feeling nothing would be worse," she says. "I'm awake now."
That last line is telling. Madeline says that she wasn't sad anymore she lost a child to cancer, thanks to being an Active. But is she still, in a way, asleep?
Echo would rather be wide awake, and be a real live girl...pain and all.
While people raved about Eliza Dushku's performance as Echo and Emily, I was a bit put off at the end. The episode made Emily a little too paranoid, only because she didn't know what was happening. That's the idea when you hire an Active, but it didn't work very well. I also didn't like the thunder in Echo/Emily's confrontation with Nate. It was over-the-top.
"Instinct" was written by Michele Fazekas and Tara Butters, the creators of Reaper, which was about a guy whose dad may have been Satan. We just know Ray Wise, who played Satan, will be on Dollhouse soon, likely complete with three-piece suits that are fashionable and evil. Maybe.
The show returns next week, then takes a break for baseball that may last one to three weeks.
Judging from the ratings, however, it could be longer than that. "Instinct" pulled in less than 2.1 million viewers, although it was a terrible Friday for Fox. The premiere of Stargate Universe had 200,000 more viewers, but that is big news that cable bested Fox and the CW. It's also sad news for the Dollhouse, now that at least one obituary has popped up on the internets.
Well, let's take some other factors into consideration: they didn't show any promos for Dollhouse until the night before. What promo they did show was basically this...
Combine comedy with sci-fi? Can't do it, unless you're Red Dwarf.
Eliza Dushku will spread the word about the show next week on Jimmy Fallon and David Letterman. Let's hope it helps for episode 3, "Belle Chose". If not, it may another slow death, just like what ABC did to Pushing Daisies last season.
Then again, whose idea was it to think stale sitcoms could draw sci-fi fans like honey? Human Target, which is coming early next year, could have been a better idea for Friday nights.
Sunday, September 27, 2009
From the Land Beyond, a Gentleman
Sacramento recently hosted a horror movie convention. It's part flea market and part mini-Comic-Con, as people get to talk to actors from their favorite movies and TV shows.
In my case, it's another chance to see a real Gentleman...about a year after I met the other one.
As you can see, it's Camden Toy, who attended the three-day event meeting with Buffy fans who known him for that role, but not usually for his two other roles, Gnarl and one of the Turok-Ham Uber-Vampires.
"Some of them come up to me and go 'wait a minute, I know you did that and that, but you did that character, too?'" he says. "It's always fun to be able to surprise people that are fans but still don't even know there were certain characters that you did.
"The dyed-in-wool fans will recognize me," he continued, "but it's interesting how, if you're under this much makeup, which is five hours of makeup, you don't get recognized, It's kind of a funny double-edged sword in a way."
Still, he also noticed that visiting Sacramento gave him a chance to visit his sister.
Last Sunday, he was part of a panel on movie villains with Tony Todd, known for Candyman and most recently on 24, and Bill Moseley, known for Repo! and The Devil's Rejects. Toy said that Gnarl was one of his favorite roles. "That was such a fun character", she said, "because he was incredibly multi-faceted and so well-written." He also praised the make-up work for bringing him to life.
Toy also recounted how he was cast as a Gentleman in "Hush." He said his agent called him about the role, and had to meet Joss later that night. Todd and Moseley helped Toy "recreate" his meeting with Joss Whedon and casting director Lonnie Hamerman. He recalled how they described the role, that his character floats to people's rooms, steals their hearts and smiles a lot. He did his audition and, according to him, this was Joss' reaction...
Toy may have been exaggerating, but he admitted "I thought either I got the role, or he thinks I'm a total psycho." Of course, Toy got the role, and he and Doug Jones made TV history as the scariest Gentlemen TV has ever seen. He also revealed the episode was originally named "The Laughing Man."
Toy later came back in season seven as one of the Turok-Han Vampires Buffy had to battle. "It was such a physical role," he said. "I think they were talking about probably having a stunt man do the role." However, then-showrunner Marti Noxon wanted someone who could put more feeling in the role, someone like Camden Toy. Thanks to a little help from makeup and special effects artist Rob Hall. Toy got his third role on the show. He also said it was the first role he didn't audition for, and the first time had to have a physical. He admitted he was surprised about that.
Toy can currently be seen in Mansfield Path, a horror picture that he describes as similar to The Crucible, but with a creature stealing souls. Toy is one of the elders in the village. He also did a short film for Jason Connery that he described as an English farce.
Aside from meeting Toy again, I found this very rare piece of Buffy lore...
This is from the press kit of the original 1992 movie, and I'd say I got this at a good price. Many people have the Sunnydale High School Yearbook, but this is harder to get.
There was one other thing...
I don't recall anyone making Halloween masks turning the faces of presidents into monsters, like a werewolf version of Bill Clinton. I guess this may be popular during Halloween. I just hope we don't see this after that time.
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